Yanxian Zhao

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	<title>Yanxian Zhao</title>
	<link>https://yanxianzhao.com</link>
	<description>Yanxian Zhao</description>
	<pubDate>Tue, 03 Jun 2025 11:21:10 +0000</pubDate>
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		<title>WoMen</title>
				
		<link>https://yanxianzhao.com/WoMen</link>

		<pubDate>Thu, 20 Mar 2025 09:44:11 +0000</pubDate>

		<dc:creator>Yanxian Zhao</dc:creator>

		<guid isPermaLink="true">https://yanxianzhao.com/WoMen</guid>

		<description>WoMen
Workshop: 


A
collective history restoration 
of Chinese women diaspora


&#38;nbsp;


 With the colonial
origins of the Chinese cheap labors ( the coolie system), the history of the Chinese diaspora deems to be both
colonial and patriarchal. Starting from sex workers and pawnages of man(1600s)
to homemakers, women’s diasporic trajectory was heavily influenced by these two
ideologies and shame or unworthy to mention, in which result in historical and present-day
narrative marginalization and even narrative femocide.
 Women Narrative in Diaspora is a research project aims to break the silence. it intent to explore family archive to restore our women diasporic history collectively.&#38;nbsp;
	
	︎


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	<item>
		<title>Main</title>
				
		<link>https://yanxianzhao.com/Main</link>

		<pubDate>Mon, 12 Apr 2021 21:22:00 +0000</pubDate>

		<dc:creator>Yanxian Zhao</dc:creator>

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		<description>


When there is no grave, We are condemned go on mourning&#38;nbsp;


Ruth Kluger, Still Alive


Most of our family trauma are results from unmourned losses in the non-material days that we did not lived, the loss could be a person, a thing or part of self. &#38;nbsp; 


	&#38;nbsp;︎
	--Yanxian Zhao


This is a hypothesis that I draw by surveying and scrutinizing the generational trauma in my family.&#38;nbsp; My art correspond with this hypothesis, to use art as fantasy structure to find a method to bring the traces of trauma into the present. In this way, by contextualizing those unconscious losses, in order to evacuate the unexplainable confusion, fear, grievance and anger that lingered in me and my family. My art is a process that allows the self to be reborn, and to realize what happened in the past doesn’t need to continue in the present
	

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	<item>
		<title>Sheng! A Genealogy of Trauma</title>
				
		<link>https://yanxianzhao.com/Sheng-A-Genealogy-of-Trauma-1</link>

		<pubDate>Mon, 12 Apr 2021 21:22:01 +0000</pubDate>

		<dc:creator>Yanxian Zhao</dc:creator>

		<guid isPermaLink="true">https://yanxianzhao.com/Sheng-A-Genealogy-of-Trauma-1</guid>

		<description>Sheng!-A Genealogy of Trauma
	

A Cross Media Project AboutTrauma and Legacies, 
Love and Violence︎

</description>
		
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	<item>
		<title>The Unreincarnate Souls</title>
				
		<link>https://yanxianzhao.com/The-Unreincarnate-Souls</link>

		<pubDate>Mon, 06 Sep 2021 12:23:30 +0000</pubDate>

		<dc:creator>Yanxian Zhao</dc:creator>

		<guid isPermaLink="true">https://yanxianzhao.com/The-Unreincarnate-Souls</guid>

		<description>The Unreincarnate Souls
	

An installation 
explores 
the relationship between 
postmemory and rituals
︎

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		<title>Previous work copy</title>
				
		<link>https://yanxianzhao.com/Previous-work-copy</link>

		<pubDate>Tue, 03 Jun 2025 11:21:10 +0000</pubDate>

		<dc:creator>Yanxian Zhao</dc:creator>

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		<description>Commercial Profile

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	<item>
		<title>Frobid &#38; Forget</title>
				
		<link>https://yanxianzhao.com/Frobid-Forget</link>

		<pubDate>Thu, 13 May 2021 11:14:05 +0000</pubDate>

		<dc:creator>Yanxian Zhao</dc:creator>

		<guid isPermaLink="true">https://yanxianzhao.com/Frobid-Forget</guid>

		<description>CHAPTER ONE

	Forbid &#38;amp; Forget2018-2020PHOTOGRAPHY


	is using camera as psychoanalysis and fantasy structure to relocate generational trauma from unconscious to conscious. By using digital manipulation, I &#38;nbsp;reconstruct our hidden traumatic memories according to research; by using scanner and AI imagery making process, I &#38;nbsp;experiment unconscious transmission of trauma in art practice. Inasmuch, I create a material connection within the 3 generations in my immediate family.
</description>
		
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	<item>
		<title>Family Language</title>
				
		<link>https://yanxianzhao.com/Family-Language</link>

		<pubDate>Thu, 13 May 2021 11:14:23 +0000</pubDate>

		<dc:creator>Yanxian Zhao</dc:creator>

		<guid isPermaLink="true">https://yanxianzhao.com/Family-Language</guid>

		<description>
	
CHAPTER TWO

Family Language
EXPERIMENTAL FILMS


Family Language is &#38;nbsp;an attempt to research trauma through linguistic study. By recollecting and analyzing languages that were floating around in the familial space, my purpose is to understand how trauma was encrypted in our language and how it shapes our unconscious. 


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	<item>
		<title>Happy Family</title>
				
		<link>https://yanxianzhao.com/Happy-Family-2</link>

		<pubDate>Thu, 13 May 2021 11:14:31 +0000</pubDate>

		<dc:creator>Yanxian Zhao</dc:creator>

		<guid isPermaLink="true">https://yanxianzhao.com/Happy-Family-2</guid>

		<description>


CHAPTER THREE
Happy family2019-2020SCULPTURE


Happy Family is a sculpture project in which I try to mimic the form of life in the violent history and hostile environment. I use potatoes as recipients of my violence and put them in the “no sun, no water, no soil” situation which metaphorically indicate to my family past experience. I infuse the potato with hair, metal pins and thread which symbolizes gene, physical punishment and “good will” respectively. In this work, the material/acts/ process asks the question:“Will trauma heal by time”?

	
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		<title>WoMen</title>
				
		<link>https://yanxianzhao.com/WoMen-1</link>

		<pubDate>Sun, 06 Apr 2025 21:01:01 +0000</pubDate>

		<dc:creator>Yanxian Zhao</dc:creator>

		<guid isPermaLink="true">https://yanxianzhao.com/WoMen-1</guid>

		<description>
	WoMen

	
Workshop: 
A
collective history restoration of Chinese women diaspora


For whom


All female migrants and their decedents with a Chinese origin


No artistic experience needed—only a willingness to reflect,
create, and share.


Why participate


From the moment we were born, they were our mothers,
grandmothers, and great-grandmothers. We grew accustomed to their daily
dedication to family and household labor, as if it were an unquestioned given.
We sometimes grew weary of their nitpicking and constant nagging. We accepted
their identities as "someone's wife" or "someone's mother"
in public life, and we normalized how their epitaphs reduced them to mere
appendages of others. As history marched forward, they even lost their own
distinct faces. We saw the outcomes of their lives but missed the journeys they
endured. They too were once youthful dreamers with grand ambitions. They too
were once brilliant and full of talent. They too were once individuals, not
just extensions of others.&#38;nbsp; 


Diaspora has always been uniquely challenging for women.
Prior to the 21st century, the primary path for female migration was through
marriage—becoming someone’s wife, then a mother. Many spent their lives trapped
in the **invisible work** of domesticity. 


**WoMen** is a research and re-creation workshop centered on
the family archives of diasporic women. Through reinventing these archives
using skills learned from the **invisible labor** of our matriarchs, this
project aims to re-narrate female migration histories and restore a recognizable
face to these forgotten or overlooked women. We seek to study both the
hardships they faced and the triumphs they achieved during their diasporic
journeys.&#38;nbsp; 


Whether your matriarch—or you yourself—were a homemaker,
cleaner, dishwasher, lawyer, accountant, engineer, or held any other role,
their stories are invaluable threads in the tapestry of diasporic history.
Their names deserve remembrance, their legacies needs to be pass on, and their
experiences can guide future generations of migrant women.&#38;nbsp; 


Let’s co-author the first collective history of Chinese
diasporic women. Let’s reclaim their voices and ensure their legacies are
written into history.&#38;nbsp;


自从我们出生伊始，她们便是我们的母亲，祖母，曾祖母等。我们习惯了她们日复一日地围绕着家庭，操劳着家事，似乎一切都本该如此。我们也曾有些厌烦她们的斤斤计较和喋喋不休。我们也习惯她们在人前是谁的妻子，谁的母亲，我们也习惯了她们的墓志铭上书写着是谁的附属物，甚至随着历史推进，她们失去了自己的模样。我们看到了她们人生的结果，却错过了她们人生的进程。她们曾经也是青春少艾，壮志满怀。她们曾经也才华横溢。她们曾经也仅仅是自己，而非他人的附属物。移民对女性是艰难的。在21世纪前，女性移民的途径往往只有结婚，成为他人的妻子，然后成为母亲。她们中许多终其一生被困于家庭的invisible work当中。


WoMen是一个围绕离散女性家庭照片的研究与再创作工作坊。这个项目意在通过对我们从母辈invisible work中学习到的技艺对family archive的再创造与女性移民史的再叙述，重新赋予这些被遗忘或是被忽略的女性一张recognizable face，去研究她们移民史中所遇到的困难和所达成的成就。无论您的母辈或您是家庭主妇，清洁工，洗碗工，或事律师，会计，工程师等等，她们都是移民史中的极有价值的一部分，她们的故事与名字值得被记住，她们的人生经历会为以后的女性移民提供参考价值。请加入我们，一起书写第一部中国女性移民历史，为移民史的女性发声。


What to bring


family archive of you or your female ancestors. You can  email me (zyx0505@gmail.com) before the workshop.
For those who can’t be there and want to participant or contribute to my project,
you can upload your story 
via this link.


	ParticipationFree.&#38;nbsp; Seats are limited, please send email to: zyx0505@gmail.com

	
What happens during the sessions?


 Shared
 Circles: Participants
 who are from different timeframe and cultural background gather and narrate
 their female ancestor/their own diasporic story. &#38;nbsp;Here, you might find things that you did
 not know about before. 
 Making as
 Resistance and libaration: Engage in creative
 interventions—using a or more craft from your female ancestors, which part
 of the invisible work they did all their life, to create a portrait of you
 bring, of your own thought and your own understanding, to represent them
 in a rightful way, we together to amplify silenced voices and mend
 fragmented histories.
 Ritual for
 Remembrance: Together,
 we will make ritual together to remember our female history together.


Date
&#38;amp; Location


31st,
May, 2025 
Verhalenhuis
Belvédère
Rechthuislaan
1, 3072 LB Rotterdam


The Artist:


Yanxian Zhao
is a multidisciplinary artist rooted in the complex narratives of migration,
memory, and gender. Born and raised in Toishan, Cantone—a region historically
known as the epicenter of global Chinese labor diaspora—her work interrogates
the silenced stories of women overshadowed by the glorified tales of male
migrant laborers. Growing up amidst the echoes of her hometown’s transnational legacy,
Zhao was acutely aware of the duality shaping her community: the celebrated
heroism of men who ventured abroad and the resilience of women who remained,
anchoring families and traditions in their absence.


This
gendered dichotomy, embedded in the fabric of Chinese diaspora history, deeply
informs Zhao’s practice. Her art challenges the invisibility of women’s labor
and agency, weaving together personal and collective memory to reclaim their
place in migratory narratives. 


Zhao’s practice
transcends mere documentation; it is a call to reimagine history through an
intersectional and collective lens. By centering the voices of women often
relegated to the margins, she constructs counter-narratives that bridge past
and present.&#38;nbsp;


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		<title>work</title>
				
		<link>https://yanxianzhao.com/work</link>

		<pubDate>Mon, 02 Jun 2025 20:08:11 +0000</pubDate>

		<dc:creator>Yanxian Zhao</dc:creator>

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		<description>Still Life

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Portrait

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Conceptual

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Assignment Portrait

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Comercial Video


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